An Evening with Kaplický and his Drawings

Kaplicky Evening

Last week Architect Eva Jiřičná and writer Deyan Sudjic were our guest speakers in the latest Riba Bookshop Tuesday late evening talk.  The evening served to commemorate the recent publication of Jan Kaplický Drawings and its accompanying exhibition, a collection of prints of the architect’s drawings featured in the book that have been on show inside the bookshop since the beginning of September.   This latest talk was an intimate and insightful conversation filled with tales and anecdotes about the life and work of the influential architect, who came to be so well known for his futuristic visions and daring designs.

The publication of the book and the exhibition act as a timely contrast with the current developments in computer drawing and its widespread use across the world of architectural design.  One of the most unexpected discoveries amongst those who have visited our exhibition, and were not familiar with Jan Kaplický’s work, was finding out that these highly technical,  space age drawings had all been in fact drawn by hand and not by a computer, as it is customary for this kind of drawing today.  It is a beautiful contradiction that an architect who designed such technologically advanced buildings, should give so much importance to the act of drawing and mark making.  Or perhaps he always understood that the ability to do so is one of the things that separate humans from computers.  Years later, when the new Apple gadget tool “Pencil” is presented to the world as the latest technological must have toy, Circa Press pays tribute to Jan Kaplický’s mastery of the pen on paper and, once again, opens up the unfinished debate about computers vs the human hand.

We have one copy of the book signed by Eva Jiřičná and it’s two contributors, Ivan Margolius and Richard Rogers, in the Bookshop which you can enquire about purchasing by contacting us directly

To continue on the book’s theme, next week we’ll publish a list of the top five drawing books compiled by the booksellers at the RIBA Bookshop.  Whether you are amongst those who carry pen and paper everywhere you go, or have been meaning to dust off that neglected sketchbook for some time, tune in for some interesting recommendations.

REGENERATION!

Regeneration after the talkOn Tuesday, artist Jessie Brennan came to the RIBA Bookshop to present her book Regeneration! Conversations, Drawings, Archives & Photographs from Robin Hood Gardens.  The book was very well received by an engaging crowd that took part in a conversation between Jessie and writer Richard Martin.  Amongst our guests we had architects, artists, activists and former residents of the Robin Hood Gardens housing estate who discussed their experiences and ideas about the significance behind the life, evolution and demise of this iconic symbol of social housing in Britain.

This is an important book that closes the last chapter in the history of this London brutalist symbol at the forefront of a heated debate since it was first threatened with demolition.  But it is also the beginning of the next chapter in the history of London, a city in the midst of rapid transformation through the process of urban regeneration, which no one yet really knows how to envisage.  How will communities transform? How will areas change? Who’s moving out?  Who will move in? and what will London life feel like at the end of this process?  As London continues to regenerate, more people are joining the debate about the future of our city and the people who live in it.  This book seeks to record the unheard voices of some of those at the centre of this change, the residents of Robin Hood Gardens.

The book includes archival photographs and drawings of the estate, as well as conversation pieces with some of the residents of Robin Hood Gardens, essays by Owen Hatherley and Richard Martin, and a set of pull out prints of the artist’s work A Fall of Ordinariness and Light.  The drawings are exquisite representations of the estate made with graphite on paper and were commissioned by the Foundling Museum.  You can take a look at them by following this link. If you would like to buy prints of the work, you can enquire with one of our booksellers.  To buy a copy of the book please come into the shop at 66 Portland Place or visit our website.

Thank you Jessie, Richard and everyone that came to the book launch for helping us make the Bookshop a place that inspires and generates ideas and interesting dialogues.

Jan Kaplický Drawings with Deyan Sudjic and Eva Jiricná

Kaplický Drawings

RIBA Bookshop Talk, Tuesday 13th October, from 6:30pm until 8:30pm,

66 Portland Place, London W1B 1AD

The RIBA Bookshop is pleased to invite you to a talk by Deyan Sudjic and Eva Jiricna on the drawings of Jan Kaplický, in celebration of the recent publication “Jan Kaplický Drawings” by CIRCA Press and its accompanying exhibition currently showing inside the bookshop until the end of October.

The talk is free to attend, however spaces are limited so please RSVP to reserve a space by following this link.

If you would like to read more about the book and the exhibition you can do so here.

REGENERATION! Bookshop Event

A Fall of Ordinariness and Light (2014) Graphite on paper (framed in aluminium), 57.5 x 71.5 cm. Commissioned for Progress by the Foundling Museum, 2014.

A Fall of Ordinariness and Light (2014) Graphite on paper (framed in aluminium), 57.5 x 71.5 cm. Commissioned for Progress by the Foundling Museum, 2014.

Conversations, Drawings, Archives & photographs from Robin Hood Gardens

Book launch at RIBA Bookshop
Tuesday 6th October 2015, 6:30 – 8:30
RSVP: eva.sandoval@ribabookshops.com

With a conversation between writer Richard Martin and artist Jessie Brennan

The RIBA Bookshop launches its Autumn events season with the presentation of a new book on Robin Hood Gardens by London based artist Jessie BrennanRegeneration! Conversations, Drawings, Archives & Photographs from Robin Hood Gardens is a project by the artist seeking to engage the residents of the estate by exploring life in this 1960s symbol of the welfare state.

Robin Hood Gardens has been the subject of much debate since it was first threatened with demolition in 2008.  Despite a nation wide campaign backed by Zaha Hadid, Toyo Ito and Richard Rogers amongst many other architects calling to protect the estate, the Brutalist housing complex built by the Smithsons was denied a formal heritage listing, and will be demolished to make way for a  brand new development in the Poplar area neighbouring Canary Wharf.

In a recent article for Apollo magazine, the artist described her project on Robin Hood Gardens:

“Debates around the estate’s perceived architectural successes and social failures have often focused only on the buildings – on the need for their preservation or demolition – rather than the feelings of people living within the blocks.  They have tended to ignore, and at worst misrepresent, the experiences of the people who know the buildings most intimately.

My project, Regeneration!, attempts to address that imbalance in a small but meaningful way by exploring with residents the qualities of a lived-in Brutalism and the personal impact of redevelopment.  It began as a series of recorded interviews with long and short term tenants, developed out of the process of making doormat rubbings – a starting point for engaging conversations.  The 78 page book brings these together along with architectural plans and archive images, two series of drawings, a set of photographs by former tenant Abdul Kalam, and two essays: Owen Hatherley’s text charts the political decisions that led to the rise and fall of Robin Hood Gardens; Richard Martin’s essays contextualises the project through an analysis of my artwork – A Fall of Ordinariness and Light (pictured above) – and proposes a broader set of questions around the politics of regeneration.”

Jessie Brennan will engage with Richard Martin, writer and author of The Architecture of David Lynchand former member of the policy team at CABE, in a conversation about the politics and social and cultural impact behind the process of urban regeneration, drawing on the history of the soon to disappear Robin Hood Gardens estate.

This talk is free to attend, however spaces are limited, so if you’d like to book a ticket please RSVP to eva.sandoval@ribabookshops.com

Our Top Ten Architecture in Fiction Books

The Last Five

Rearwindow's Set

This week’s five remaining titles on our architecture in fiction list moves away from last week’s Sci-fi dominated theme and lands back on earth, where we can spend some time people watching from invisible windows, through modernist glass panels and why not also from secret hiding places. In today’s list, we present you architecture with the power to shape-shift historical events, wars, jigsaw puzzles, paintings, ethical dilemmas and what makes us essentially human.  As usual, if you want to read any of these novels during the long bank holiday weekend,  you can pop into our shop today and tomorrow Saturday until 5pm to pick up a copy.  Otherwise you can also order them online.

The Glass RoomNumber six on our list is Simon Mawer’s The Glass Room.  When Victor and Liesel Landauer meet architect Rainer von Abt during their honeymoon in Venice, the Landauers, enthused by von Abt’s radically modern architecture ideas, commission their new friend to build a house for them, a 1930’s modernist glass and steel house on a hillside outside a Czech town.

The Landauer house soon becomes the central character of the novel and draws direct inspiration from the famous Tugendhat villa built by Mies van der Rohe in 1930 in Brno.  The story of the glass room mirrors very closely the history of the Villa Tugendhat, which after only 8 years of serving as a home for the Tugendhat family, was confiscated by the Gestapo, who  turned it into an office.  The Villa’s ownership changed hands again at the end of WWII when it was turned into quarters and stables for the soviet military.  As the story of war in Europe unfolds, the glass room metamorphoses into different kinds of buildings, reflecting some of the most significant historical events that took place between the 1930s and the 1980s.

Life, A User's ManualLife: A User’s Manual was first published 1978 and soon became Georges Perec’s best known literary work, giving him international acclaim.  With the help of a jigsaw puzzle and a well known chess problem known as the knight’s tour, a sequence where the knight is required to visit every square of the chess board only once, Perec used a 10 storey apartment building at the fictional Parisian address, 11 Rue Simon-Crubellier, as the setting to weave together 99 seemingly disconnected life stories.

In similar fashion to the way Hitchcock showed us the apartment building as a container for the urban living microcosm in his 1954 mystery thriller “Rear Window”, Perec moves closer into the lives of the apartment dwellers, shaping characters through detailed descriptions of room interiors and the scenes that unfold inside them, painting a picture of everyone’s and no one’s life with his words.

The Paris ArchitectCharles Belfoure is an American architect, writer and historian who takes us into the city of Paris during World War II with his latest novel.  In The Paris Architect we meet Lucien Bernard, an amoral individual trying to live through the German occupation unnoticed by turning a blind eye to the atrocities committed by the German soldiers against the Jews. When the architect finds himself short of money, he faces the dilemma of whether to accept a generously paid, but also the most challenging and dangerous design job of his career.  A wealthy Jewish man wants to commission Bernard to retrofit buildings with hiding places, where persecuted families won’t be found by Nazi soldiers.

Full of fascinating architectural problems and their solutions, The Paris Book is a gripping story about ingenuity, skill, clever detailing and the question of ethical values in the face of danger.

Building StoriesIn Building Stories by Chris Ware we follow the lives of the inhabitants of a three flat apartment building in Chicago.  More than a book this is a graphic novel presented in the form of eleven pamphlets inside a beautifully designed box, where the reader is invited to build his own narrative by changing the order of the pamphlets. Like Perec’s Life: a User’s Manual this is a puzzle and a painting where the stories are told through detailed illustrations of apartment interiors, as well as plans, sections and elevations inhabited by an array of characters and the objects they own. If you pay close attention to the street view vignettes,  you might be able to spot one or two apartment buildings designed by Frank Lloyd Wright.

Invisible CitiesNumber ten and last on our list is Italo Calvino’s modern classic Invisible Cities. In this work of experimental fiction Calvino sets out to describe the city of Venice many times over in every short chapter of the book. More than a story, this is collection of impressionistic sketches of the same city in the guise of several imaginary places visited by Marco Polo, the narrator of the book.  The descriptions are made of poetry, ideas, meditations, feelings, perceptions and all the things that stir inside when we contemplate something that moves us.  If you haven’t read this yet, this is a beautiful book.

10 Novels About Architecture

Architecture in Fiction

…or a respite from that JCT

Quite often an architect will approach the bookshop till with an armful of books about contractual procedures and CDM regulations and a look of resignation.  Placing the books on the counter with a heavy thud and a nostalgic smile, we’ll hear the now familiar phrase “I’m only buying boring books today, I’m afraid”.

Beyond the maze of planning applications, endless varieties of contract administration forms and keeping up with the latest change in Building Regulation Part L, exists a world of architecture fiction that explores ideas, philosophies, dreams and fears that lurk behind the facades of buildings.  These are some of the books that spur our imaginations, and set us free to explore the often ignored psychological depths of the empty space between four walls, the symbolic meaning of a glass façade, or the power struggles inside an imposing concrete structure.

We’ve put together a fiction list of books written by architects, about architects, or where the architecture becomes a central character of the story, that we hope will persuade you to treat yourself to a “non-boring” book next time you find yourself browsing through our building contract shelf.

lesabendioLesabéndio: An Asteroid Novel is an intergalactic utopian fable that takes place in Pallas, an asteroid where its worm-like shaped inhabitants enjoy a quiet, orderly life, dedicating their time to artistic pursuits and redesigning the asteroid’s interiors into extraordinary architectural patterns, infused with music and lighting.  The sensory contemplative existence of the Palladian creatures gets interrupted when visionary engineer Lesabéndio hatches a plan to build a 44 mile high tower to join the two sides of the double asteroid.

Paul Scheerbart was a writer and visionary proponent of glass architecture, whose architectural fables were admired by architects Bruno Taut, Walter Gropius, and Hans Scharoun, as well as by influential thinkers such as Walter Benjamin and Gerschom Scholem.  After the now out of print The Grey Cloth: A Novel on Glass Architecture, Lesabéndio is Scheerbart’s most widely acclaimed work.

 The Care of Wooden floorsNumber two on our list is The Care of Wooden Floors by Will Wiles.  It tells the story of a friendship between Oskar, a minimalist music composer best known for his “Variations on Train Timetables”, and an old university friend, whose name we never get to find out.  When Oskar has to travel to America to finalise his divorce proceedings, he leaves the care of his flat and his two cats in the hands of his trusted friend. Although Oskar remains absent from the story throughout the book, we get to know him intimately through descriptions of his apartment, and the carefully composed notes with care instructions left around his home. As we read his friend’s narration over the next eight days, we gradually start to learn about Oskar’s neurotic obsession with perfection and neatness.  As the days pass, a series of comic domestic accidents snowball into a chain of catastrophes that threaten to dismantle Oskar’s friendship, while the rest of his life falls apart elsewhere.

 

The City and the CityThe City and the City by China Miéville is a classic detective noir thriller that takes place in a familiar and simultaneously surreal setting.  Inspector Tyador Borlú of the Extreme Crime Squad police unit of Beszel is called to investigate the murder of a woman.  The city’s most unusual characteristic is that it  shares the same topographical space as the city of UI Qoma.  Although the citizens of both cities converge every day routinely, it is against the law to acknowledge each other’s existence.  If a citizen accidentally makes contact with someone from the other city, he has to learn to “unsee” them to avoid punishment.  As Inspector Borlú delves deeper into his police investigation, he’ll find himself having to cross the perilous physical and psychic boundaries of these two cultures separated by a shared space.

High RiseJ.G. Ballard’s classic High Rise takes us into the belly of a respectable city tower block where minor disputes amongst the residents start escalating until they reach disproportionate heights.  Civility and social order gradually degenerate into savagery when neighbours start organising themselves into several rival camps, and life in the tower block regresses into a ‘Lord of the Flies’ type of society.  One of the central characters of the story is the building’s architect Anthony Royal who, believing in the power of architecture to organise and shape societies, tries unsuccessfully to rule the tower block from his penthouse apartment.  This is one of Ballard’s most chilling and uncomfortable dystopias that uses architecture as a metaphor of how we construct societies, and how fragile those social structures are.

Dreams in the Witch HouseFrom the hand of the master of metaphysical horror, number five on our list is H.P. Lovecraft’s The Dreams in the Witch House. In this short story we meet mathematics student Walter Gilman.  When he moves into an attic room of unusual and nearly physically impossible geometrical characteristics, Gilman becomes increasingly bewitched by the possibility of travelling to other dimensions with the help of structures of particular spatial proportions.

The Dreams in the Witch House is one of the finest examples of the use of architectural spaces to create unearthly worlds and disturbing psychological perceptions of unreality.

Next Friday we’ll publish the five remaining titles on our architecture in fiction list. Since we  know that most of you have come across it countless times already, Ayn Rand’s The Fountainhead won’t be on it.  If you’d like to find out how our selection ends, keep an eye on our blog.  In the meantime, if we’ve succeeded in stirring your curiosity, you can find all of today’s list in our shop at 66 Portland Place and also on our website.

Jan Kaplický Drawings

A collection of reproductions of line drawings by visionary architect and master draughtsman Jan Kaplický are currently on show at the RIBA Bookshop until the end of October.  The exhibition celebrates the recent publication of the book Jan Kaplický Drawings by Circa Press, and is a homage to the declining art of architectural hand drawing, through the design studies of the influential founding figure of Future Systems.

Renowned for his futuristic designs, Kaplický remained passionate about hand drawing throughout his life.  For him, it was an essential component in the process of discovering and constructing new design ideas. He engaged in the practice of this craft daily.  Throughout his career Kaplický sketched, while others in his practice took on the task of computer generated drawing.

The book brings together a comprehensive selection of Kaplický’s sketches, ink drawings and photomontages that should appeal to those interested in architecture and design.  And, if you are interested in contemporary conceptual art you’ll find a very interesting link between Kaplický’s utopian visions depicted in his two dimensional photomontages and Michael Craig-Martin’s paintings and sculpture installations.

If you are interested in this exhibition, we are organising a bookshop talk on Kaplický’s work at the beginning of the new academic year.  Watch this space for further details.

A Voysey Celebration

Charles Lawrence, Wendy Hitchmough, David Cole, Luke Walsh

Charles Lawrence, Wendy Hitchmough, David Cole, Luke Walsh

The London Festival of Architecture continues, and here at the RIBA Bookshop we celebrated it’s second week with a Book Launch.  The Art and Architecture of C.F.A. Voysey  is the first comprehensive volume written on this celebrated English figure of the Arts & Crafts movement, since author and Architectural Historian Wendy Hitchmough wrote the definitive Voysey monograph twenty years ago.  Melbourne Architect David Cole has put together a collection of the best examples of Voysey’s famous watercolour architectural drawings, presented in real scale, in this handsome book. The drawings are complemented by a selection of full colour, large format recent photographs of more than 25 Voysey designed extant houses.  David came to London to celebrate the launch of the book on Tuesday night with the Voysey Society.  Historians, Architects, owners of Voysey houses, enthusiasts and writers such as Wendy Hitchmough and David Valinsky (An Architect Speaks: The writings and Buildings of Edward Schroder Prior) as well as some of those who helped with the research and reproduction process of the images, came to the reception to congratulate David on the publication of this wonderful book.

We asked David to sign some copies of the book for our customers, if you’d like yo acquire one you can enquire by writing me here.

Here at the RIBA bookshop we wish to congratulate David on his book and we eagerly await his next written project.

Architecture of Change

Ethics in Architecture 6

Thank you to all that came to the RIBA Bookshop and took part in the discussion about Ethics and the business of architecture.

Architect and author Sumita Sinha invited Nabeel Hamdi and Anthony Powis to engage with the public in a conversation about the ethical dilemmas that architects face today.

In the light of recent reports about the death of over 1000 migrant workers involved in construction projects for the Qatar World Cup, questions such as who is responsible for addressing such issues are currently under scrutiny.  Can architects influence the construction process of their designs and ensure that all individuals involved in the project are protected and fairly treated? How much should architects compromise when facing a client with opposing ethical values? How can architects challenge cultural conventions that are dangerous to our health and/or the environment? Is it true that ethics gets in the way of good business?  These are some of the open ended topics of the evening that, far from giving any definitive answers, served to raise awareness and open a discussion about responsibility and the power to affect change.

If you’d like to keep informed of any future events in the RIBA Bookshop, you can write me an e-mail here.

Ethics and the Business of Architecture

                                                                              ai-weiwei-sunflower-seeds-chinese-artist

Tuesday 2nd June, 6:30-8:30pm.  RIBA Bookshop, 66 Portland Place, London W1B 1AD.  Tickets: Free

As competition in the UK becomes tighter, architects are keen to find work overseas, often in such places where the prevailing human rights record has been a growing cause of concern and debate for some time.  Is the question of ethics in architecture a matter where business must be led by pragmatics of the head, rather than emotions of the heart? Or is compromise a defeat? Are students of architecture being taught about ethics or is it assumed that each individual will do as they see fit when they start to practice? A panel discussion led by Sumita Sinha, Professor Nabeel Hamdi and Anthony Powis discuss this thorny subject, followed by Q&A.

Sumita Sinha is the author of Architecture for Rapid Change and Scarce Resources and founder of Architects for Change, Equality Forum for British Architects and Charusila, a small charity promoting culturally appropriate sustainable architecture.

Professor Nabeel Hamdi is teaching associate at Oxford Brookes and author of some of the most influential texts on participatory design such as Small Change and The Spacemakers Guide to Big Change.

Anthony Powis is a London based architect who makes public spaces with muf architecture/art, teaches DS9 at the University of Westminster with Camilla Wilkinson, and volunteers on the management team of Architecture Sans Frontieres – UK